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Tennyson’s Maud

Sue Hemming explores a discontented Victorian’s state of mind in the light of mid-century social and political unease

Illustration for ‘Come into the Garden, Maud’

OCR: Paper 1 ‘Drama and poetry pre-1900’: comparative set text

The year 1850 was memorable for 41-year-old Alfred Tennyson: he married, became poet laureate and published ‘In Memoriam’. In 130 short poems — a long time in the writing — he tried to come to terms with the grief he felt over the death 18 years earlier of his dear friend Arthur Hallam, as well as his own anxieties about religion and recent scientific thinking, especially the precursors of Darwin’s evolutionary theories. Mid-century novels, including Elizabeth Gaskell’s Mary Barton (1848) and North and South (1855) and Charles Dickens’ Hard Times (1854), set love stories among contemporary concerns such as industrialisation and the distress of the working classes. While Tennyson’s Maud (1855) does not set out to present specific social evils or urge reform, the same topical issues of materialism, inequality and exploitation, along with Tennyson’s earlier concerns about religion and science, form essential parts of the background to its dramatic story.

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Previous

The twisted twin of The Duchess of Malfi

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Sleeping Murder by Agatha Christie

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