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INSIGHTS

Agatha Christie’s Ariadne Oliver

Nicola Onyett traces the links between Mrs Oliver and her Queen of Crime creator

Logic versus instinct: David Suchet as Poirot and Zoe Wanamaker as Ariadne Oliver

In Greek mythology Ariadne is the daughter of King Minos of Crete. After falling in love with Theseus, she helps him to defeat the Minotaur. The cunning idea of unravelling a ball of thread to avoid becoming lost in the labyrinth is hers, and she also provides the sword with which Theseus kills the monster. After they elope, however, Theseus repays Ariadne by abandoning her on the island of Naxos.

Agatha Christie’s naming of Hercule Poirot’s crime novelist friend, Ariadne Oliver, after this mistress of mazes, puzzles and labyrinths is significant, while their very unusual first names strengthen the notion of a link between the novelist and the character. Mrs Oliver is in fact a classic example of the self-insertion trope: a character used as a stand-in by and for the writer herself.

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Previous

Monsters and martyrs: disability in Frankenstein and A Christmas Carol

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Looking back, moving forward: Edith Wharton and The Age of Innocence

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