Skip to main content

This link is exclusively for students and staff members within this organisation.

Unauthorised use will lead to account termination.

Previous

The Great Gatsby: Cars, crimes and carnivals

Next

Fifty years of Virago

LANDMARKS IN CRITICISM

A Room of One’s Own

by Virginia Woolf

Nicola Onyett re-examines a landmark in early twentieth-century feminist criticism in the light of later critical developments

Virginia Woolf (1882–1941) was one of the twentieth century’s most significant modernist writers. Born into a wealthy, privileged, intellectual household, she benefited from university study, connected with influential women’s rights activists and had strong family support throughout her writing career. Famed for that ‘stream of consciousness’ technique that seeks to reproduce the passing thoughts of the narrator, Woolf’s non-fiction has also attracted great interest as groundbreaking feminist polemic.

A Room of One’s Own (1929), Woolf’s most celebrated work of criticism, grew out of a series of lectures she gave in 1928, the year when the UK Parliament granted the right to vote to all adults over the age of 21. This context of production is significant; despite the equalisation of the franchise suggesting social and cultural progress, Woolf still defines England as a ‘patriarchy’.

Your organisation does not have access to this article.

Sign up today to give your students the edge they need to achieve their best grades with subject expertise

Subscribe

Previous

The Great Gatsby: Cars, crimes and carnivals

Next

Fifty years of Virago

Related articles: