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Whose words are those?: free indirect discourse

‘To the furthest verge’

Richard II and Edward II

Jonny Patrick looks at the importance of the coast and beyond in Shakespeare’s Richard II and Marlowe’s Edward II

Nigel Lindsay as Bolingbroke and David Tennant as Richard II (RSC, October 2013)
Rex/Alastair Muir

All boards: Renaissance drama

Time and again, and especially in moments of personal or national crisis, the British imagination seems drawn to the geographical edge of Britain itself: its coast. During the Second World War, the coastline became Britain’s front line. Dover’s cliffs became a symbol of British defiance and of Britain itself in Vera Lynn’s 1941 hit song ‘(There’ll Be Bluebirds Over) The White Cliffs Of Dover’. Winston Churchill famously vowed that ‘we shall fight on the beaches, we shall fight on the landing grounds’ in a speech to the House of Commons on 4 June 1940, after the Dunkirk evacuation and as France was about to fall, leaving Britain alone to face the possibility of Nazi invasion. With Britain and its empire teetering on the brink, comfort might be drawn from seeing the surrounding sea and/or the coastline itself as an impregnable rampart.

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Whose words are those?: free indirect discourse

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