Skip to main content

Previous

‘A Jury of Her Peers’ by Susan Glaspell

Next

Butcher, baker, candlestick-maker?: performing the mystery plays

Did Shakespeare know Aristotle?

What did Shakespeare know about Aristotle on tragedy? Cicely Palser Havely asks how far we can apply classical measures to the work of later dramatists

Patrick Stewart as William Shakespeare and Richard McCabe as Ben Jonson in Edward Bond’s Bingo (Chichester, 2010)

AQA (B): Paper 1 Comparative text for choice: ‘Tragedy’

Anyone studying a tragedy may well be asked to consider the central character’s ‘fatal flaw’ and whether he or she is guilty of ‘hubris’ — defiance of what the gods or fate have decreed. Or they may be asked to consider the ‘pity and terror’ an audience feels and the ‘cathartic’ effect of the story. All of these concepts are derived from the Poetics, the surviving work of the Greek philosopher Aristotle (384–22 BCE). All have been treated with great respect — and all have been argued over.

Your organisation does not have access to this article.

Sign up today to give your students the edge they need to achieve their best grades with subject expertise

Subscribe

Previous

‘A Jury of Her Peers’ by Susan Glaspell

Next

Butcher, baker, candlestick-maker?: performing the mystery plays

Related articles: