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The state we’re in: The Handmaid’s Tale and The Testaments

Nicola Onyett looks through text, intertext and context at how Margaret Atwood’s Gileadean universe has expanded since the publication of The Handmaid’s Tale

AQA (A): Paper 2 Modern times

AQA (B): Paper 2 Texts in genres: Elements of political and social protest writing

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Previous

The Mysterious Affair at Styles

Next

Birdsong: time and the past

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